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John Mellencamp at the FOX Theatre – Outstanding!

Monday, February 28th, 2011

I just returned from the John Mellencamp concert at Atlanta’s Fox Theater and I must say John still has the fire at 59. Mellencamp has been one of Rock and Roll’s icons with twenty-two Top 40 hits throughout his career. His brand of Heartland Rock and Roll is recognized for its grassroots, rural character making the claim for the working middle class and agricultural farm life. Mellencamp has always had a tight band featuring a fast beat with a strong percussion and bass signature. Add some fancy fiddle playing with electric and acoustic guitars, synthesizers, and Mellencamp’s passionate raspy vocals and you have all the ingredients for rock and roll that will lift you out of your seat and start you dancing around the room.

Mellencamp’s show deviates from the current trends in slick techno productions. The set is a simple stage with traditional spot lighting and a simple backdrop – there is nothing techno about this show except the excellent sound system. This could easily be a set for Saturday Night Live or one of the late night talk shows. The performance is very traditional, it’s pure Mellencamp.

In place of a warm up band, the show begins with an hour long documentary film “Its About You” on the making of Mellencamp’s latest album, “No Better Than This”. The film is shot using a grainy film technique to give it a low-budget, dated, and nostalgic feel. The screen is set up in the middle of the stage much as one might have set up in a living room for 8mm home movies in the 1960′s. The audience is introduced to the new material on the album and they get a look into the emotions, dialog, settings, and jumpy videography that went into recording these songs on location. Then there is a 20 minute intermission and the live show begins. A quick introduction and the curtain rises.


Movie Trailer: “Its About You”

One thing that struck me in a funny way is the different theme that Mellencamp brings to this tour to promote his latest album. In the past Mellencamp has written anti-government, politically fueled songs about rural farm life, middle class strife, and racial tensions. His music was written to influence people and opinions. I would have expected with all the problems with the collapse of the middle class, home foreclosures, unemployment, social and political polarization, climate change and more that John Mellencamp would have some pretty strong words to say in his songs but, in his new album, it seems that he is questioning his own mortality. Many of his messages deal with the the duel between the devil and Jesus as well as his fear (or lack of fear) of dying. One act features John “dancing with the devil”. At another point in the show he shares a story of laying in bed with his dying grandmother as she calls the lord to take them both. And Mellencamp even jokes about his smoking habit saying he’s “smoked over 650,000 cigarettes in his life – can he get his money back” and then he sings a song about his body being worn out. These new songs are still characterized by the strong bass and drums of his early work but the tone is darker and more haunting with a slower beat.


“West End” – a song about the demise of America

Adding humor to the performance midway through the show, Mellencamp tells a story of meeting a guy named “Jerry” on the streets of Atlanta earlier in the day. Jerry says he is coming to the show and asks John to play his old songs at the show. John is not interested in playing his old stuff and blurts back at Jerry, “the past is nothing” but then he agrees to sing one song Jerry requested, “Cherry Bomb” which he does as a tribute to Jerry in a strange way. John sings Cherry Bomb illuminated by a single spotlight with no musical accompaniment nor does he strike a single chord on his guitar but the power and rhythm of his voice are so moving it brings tears to the eyes. After the song, Mellencamp returns to his slate of new material up until he announces the end of the show when he asks people to sing along if they know the words to a few of his older songs. The concert ends with an upbeat, high energy compilation of several hits including “Scarecrow”, “R-O-C-K in the USA”, and “Paper in Fire”. After the band leaves the stage, Mellencamp takes a couple bows and exits himself. No gimmicky “keep the lights dim while the crowd cheers for an encore” – this concert is over.


“Scarecrow”

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Farrelly brothers and Owen Wilson bring Hollywood to Castleberry Hill

Wednesday, March 17th, 2010

Hall Pass - The Movie starring Owen Wilson

Atlanta, GA – Tuesday March 16, 2010

The Farrelly brothers are shooting their newest comedy film “Hall Pass” starring chic magnet, Owen Wilson, in Atlanta. On Tuesday night traffic in parts of Castleberry Hill, one of Atlanta’s hottest art scenes came to a virtual standstill as this production company set up their lights and cameras. At least a dozen eighteen wheeler rigs lined each side of Nelson Street in addition to numerous hot rod cars and several dozen extras. Farrelly brothers rented a vacant warehouse and transformed the front into their nightclub “Enter the Dragon”. The movie scenes inside the club were reportedly filmed inside the Gold Room.

Spring is about to happen in Atlanta, but it’s not here yet and the temperatures were cold. Production staff and bystanders were bundled up in heavy coats while extras and a giant albino python had to weather the cold. To make the set look like summer, artificial leaves were painstakingly attached to the trees in front of the building.

What is quite amazing is the cost that went into producing this short scene which probably will last less than thirty seconds in the movie. An intricate light box was built and set up in the windows to project silhouettes of dancers against a yellow and orange front window. There were lights all around the building from the roof and across the street. A bold sign for the fictitious club was installed on the front of the building.


[Double click to play or pause video]

So it’s time to shoot. The people inside the club start dancing but there is no music. Owen Wilson walks across the street and down the side street. Another cast member skates across the street and a couple cars zip across the front of the club. Thirty seconds later, its over and the crew repositions the lights and camera to shoot the scene from a different angle. An hour later, another thirty second scene is shot and the crew begins to break down the set. How long was the cast on the set, probably five hours.

I tried to speak with a business manager to get a press package and possibly make a few better shots from behind the scenes but was stifled by the production crew. I should add that the production company did not like me making these photos and on several occasions told me I could not make photos because “they owned the street”. Some staff aggressively tried to prevent me from making photos by repeatedly jumping in front of my camera when I was ready to take a shot. Really folks, this is a public street. You are guests in our city, here to make big bucks, you bring your own unionized team right down to the snack shack and Owen Wilson’s personal chef. You disrupt traffic, pay the extras next to nothing, hardly spend any money in the city except for lodging and real estate rentals. So what’s the big deal about a few photos?

As a photographer, I must say the scene was an interesting and fun set to shoot. I’m glad to bring this story and these photos to my readers.

If any business managers for Farrelly brothers would like to meet with me and provide information on how their production is bringing jobs and commerce to Atlanta, nothing could please me more. I’ll be glad to write a follow up article showing how the thousands of dollars being spent per minute on this film helps businesses in Atlanta.

Sam Dobrow is a freelance reporter and photographer based in Atlanta, GA.

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Kat Flynt: The beauty of being a woman

Saturday, March 6th, 2010

For Kat Flynt, a self taught entrepreneur, author, aesthetician, and media makeup artist, both life and business are about the beauty of being a woman and sharing the journey. Kat wasn’t always an entrepreneur. Her career began as a traveling salesperson and she accidentally “fell into makeup artistry as a business”. In April 1993 just a few months after her second child was born, Kat found herself feeling the need to do something for herself and decided to have glamor photos made of herself. When she arrived at the photography studio the photographer informed her that the make up artist (MUA) had not showed up and asked if she could do her own make up. When the photographer saw Kat’s makeup, he asked her if she could do the make up for the other women in the studio – and he would pay her for it. Although she had only a limited selection of colors, the results were impressive so Kat was invited to do make up for this photographer one Saturday each month for the next nine years. Kat’s skills improved and she developed a network of referrals.

In 2002, Kat was referred to the production studio at CNN. They wanted her to join their production team as a full time MUA, but there was a hitch. Kat needed to be a licensed cosmetologist or aesthetician. This was the first time she heard about needing to be licensed to apply make up in Georgia (a requirement that was dropped in 2006). Kat investigated the licensing programs which required her to attend nine months of classes at a cost of $10,000. During this time Kat made her living as a professional temporary office assistant. It wasn’t enough money to pay for the classes but it was too much to drop and go back to school. Kat kept receiving full time offers to join the companies where she was temping. One day her husband asked her why she didn’t accept an excellent job offer and she replied, “I just can’t see myself in this job for the rest of my life”. Then he asked the big question, “What would you do if you could do anything you wanted?” That’s when she realized she loved being a makeup artist. He told her to follow her passion and get the license. Two years and $10,000 later Kat emerged from the program with a license in aesthetics and she never looked back.

Kat’s clients include TV and video production companies, commercial photographers, magazines, ad agencies, wedding parties, and modeling agencies. Even as a successful makeup artist and instructor Kat does not rest on her laurels, she is continually looking into new classes to improve her skill and keep her styles current. “The makeup industry is constantly changing and is increasingly competitive. As broadcast and photographic technology evolved from black and white to high definition, the technology of makeup had to adapt.” The trend from heavy makeup in the days of analog TV has reversed because of high definition. Today makeup must be imperceptible yet perfect. The bright lights and high definition cameras expose skin details in ways that the human eye does not notice under normal lighting situations.

Today it is much easier to launch a career as a makeup artist by starting out as a freelancer. In 2006 the State of Georgia dropped the requirement to have a license to apply cosmetic products that were sold over the counter to the general public. This created a new opportunity for Kat to train others how to apply makeup and she started a new venture, the Flynt Makeup Academy. Kat has recently affiliated herself with the Atlanta Institute of Aesthetics where she teaches advanced makeup skills one week each month. The Atlanta Institute of Aesthetics offers licensing programs to those wishing to expand their knowledge and career opportunities.

Kat attributes her success to her thirst for knowledge and her willingness to share. Upon graduating high school, Kat took a commission only sales job and traveled to 42 states in a little over two years time. As the youngest senior sales representative in the company, she honed her selling skills and competitive nature. Kat says that every assignment is a competition with herself, “You have to beat your own best and don’t worry about how you compare to others!” Additionally, to be successful as a MUA you have to be dependable and efficient. “The client expects you to show up on time and apply flawless makeup in a timely manner. As an artist you must stay on top of new styles in makeup fashion and create a unique look appropriate for the assignment.”

As Kat worked with numerous beautiful women, she discovered that although many of them were icons of beauty, they had low self esteem. She began to realize how important self confidence was both to herself and to women generally. Much of Kat’s conversations with clients started to involve pumping up their self confidence. This led Kat to her newest venture writing a book and blog, The Beauty of Being a Woman. The book and her blog which contains excerpts from the book is Kat’s way of sharing her journey. She is constantly learning and helping other women “be their best”.

To learn more about Kat Flynt and her businesses visit www.katflynt.com. To see some of Kat Flynt’s makeup see this lingerie pictorial.

Sam Dobrow is a freelance writer and photographer doing business as samdobrow photography based in Atlanta, GA. To learn more about Sam Dobrow and samdobrow photography visit his business website www.samdobrowphotography.com.

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Dames Aflame Showgirls

Saturday, February 13th, 2010

Dames Aflame brings Las Vegas showgirls and Paris styled burlesque to Atlanta. At a special engagement with the APG Burlesque Camera Club on January 26, 2010, several of the Dames Aflame dancers posed for photographers in hand made costumes designed by Stephanie Ludwig. The Dames and photographers gathered at Studio 1*FIVE*0 on Marietta St in Atlanta, GA. The Dames upcoming shows are scheduled for Friday, February 12 and Saturday, February 13 at Paris on Ponce in Atlanta.

More information about and tickets to performances by Dames Aflame is available on the web, at damesaflame.com

Studio 1*FIVE*0 is a photo and video studio available for rent to amateur and professional photographers seeking a cost effective professional venue in the Atlanta area.

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